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Average Customer Rating:

A book written for TV Movie In Mind

Customer Rating:

No Time For Goodbye The opening chapters get off to a great start, sadly followed by too much character explanation of emotions that have no real depth and frankly become less believable as time goes on, inevidably half way through not only do you know how it's all going to end, you can't help but feel you are immersed in a screenplay for a TV movie. As crime thillers go... this is pretty disappointing.

A great idea poorly executed

Customer Rating:

Most books have a beginning, a middle and an end. The high point of this novel turned out to be the beginning, which of course expanded on the intriguing premise of the story: a teenage girl wakes up to find her parents and brother missing, and like most readers (I assume) I wondered what on earth was going on. Then there was 'the middle', which in a nutshell was much too long because after perhaps 300 pages I was none the wiser as to the reasons behind the family's disappearance and apart from the mildly mysterious goings-on the only real point of interest remained the basic plot. Then there was 'the end', which I won't describe here but I will vent my opinion that it was pretty awfully written and in dire need of professional editing. This story depends very heavily on the answer to the big question raised on the back cover - why did Cynthia Bigge's family disappear without trace? There's no doubt that it was a fascinating concept, especially as I read this immediately after the outstanding CITY OF THE SUN by David Levien which was also a debut novel and covered the story of a 12-year-old boy disappearing without trace. Anyway I knew from an early stage that eventually all would be revealed but it would have to be pretty special in order to satisfy the high expectation build-up. Things are not right from an early stage however, because as soon as we move twenty-five years on from the vanishing, the story-telling changes to first-person but not from Cynthia's point of view. Instead her husband Terry is the narrator, which I felt detached the reader slightly from an emotional perspective, as it wasn't his parents or brother that disappeared. Once accustomed to that, there are hundreds of pages that should give us an opportunity to really get into the mind and under the skin of the woman at the centre of all this: Cynthia Bigge, now in her late thirties. But it never really happens. Yes, she frequently states the obvious about how she would love to know what happened all those years ago, but curiously, and despite the reader surely caring for the emotional torture she must have endured down the years, this particular reader - me - never really cared as much as I felt I should. This is a critical element to the tale, because if feelings are light about the central character then our reactions to the revelations at the end are bound to be diluted. This is undermined even further by experiencing the outcome from Terry's point of view while the person who really matters - his wife Cynthia - has disappeared from the narrative, and since it is HER reaction to the truth that matters most, this is a major mistake on the author's part. I agree with other reviewers that the writing style is plain-vanilla, one-dimensional, devoid of imagery and often immature in prose and structure. All characters are shallow and colourless. The story is mediocre at the beginning, slowly deteriorates throughout the seemingly eternal 'middle' and really plummets into a mess at the conclusion. It feels as if the final few chapters were written almost as quickly as I was reading them, with apparently no editing or re-writing at all. My impression of the story took a dive at the end and I felt comprehensively let-down and unsatisfied, while I had had higher hopes at the beginning. In fact with the benefit of hindsight I almost wish I could have stopped reading after 100 pages and left it at that, the mystery of what happened might have haunted me for years! Instead, having completed the novel, I find it very forgettable and altogether a big disappointment given the fascinating synopsis. The real culprit for this novel's failure is the writing itself. I can't help but feel that if a proven thriller writter had been given the same premise, even if he or she had been told to duplicate the entire story and its conclusion, then the finished product could have been immeasurably better. My own rather cynical view is that the high sales of this book have been the result of a TV promotion (notably the Richard & Judy Show), without which it would never have been noticed at all and would have disappeared into obscurity. It really isn't very good at all, and as a regular reader of crime fiction and mystery thrillers, the genre into which it fits, I have to say that of the three or four hundred that I have read since joining Amazon it sits not that far from the bottom in quality terms. Yet again it demonstrates that a popular novel is not necessarily a good one.

worth a read

Customer Rating:

This book has a good storyline that keeps you interested to the end. Although its a thriller, it is definately one for the ladies, as the male charactor that narates the book is unnaturally sensitive, tolerant,and a bit too good to be true, and would put most males off reading it. I wouldn't say it was as good a thriller as a harlen coban books as he is the best thriller writer i have read, But all in all a pretty good read

More than excellent!	Customer Rating:
This is absolutely an unputdownable book! It attracts your attention immediately from the beginning and never bores you till the very end. The way the plot unfolds and the way all the different aspects of the plot melt together are brilliant. This is the best book that I've read over the past several years! I just cannot wait for his new book.

Disappointed	Customer Rating:
I approached this with enthusiasm. What a mistake. It was about as good as a Scooby Doo plotline. Avoid at all costs.