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A world of doubt and despair

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In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist. Instead of the anarchist Gregory getting elected, the officer Syme uses his wits and is elected as the local representative to the worldwide Central Council of Anarchists. The Council consists of seven men, each using the name of a day of the week as a code name; Syme is given the name of Thursday. The Secretary is Monday, Radcliffe is Wednesday, Gogol is Tuesday, Professor Worms is Friday, Dr Bull is Saturday and the President is Sunday. In his efforts to thwart the council's intentions, however, Syme discovers that five of the other six members are also undercover detectives; each was just as mysteriously employed and assigned to defeat the Council of Days. They all soon find out that they are fighting each other and not real anarchists; such was the mastermind plan of the genius Sunday. In a dizzying and surreal conclusion, the six champions of order and former anarchist ring-leaders chase down the disturbing and whimsical Sunday, the man who calls himself "The Peace of God". The book was intended to describe the world of wild doubt and despair which the pessimists were generally describing at the beginning of the 20th century; with just a gleam of hope in some double meaning of the doubt, which even the pessimists felt in some fitful fashion.

The wild joy of being Thursday

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Witty, wonderfully written and endlessly surprising, The Man who was Thursday is a novel which defies categories. It is hard to believe it was first published a whole century ago and that its protagonists scamper about in tails and top hats 'like black chimney pots'. On one level, it is a breathless thriller worthy of 007 - featuring a descent into an international terrorist organization headquarters, a baffling game of subterfuge between spies and a high speed chase through central London after an elephant and a hot air balloon. On another, it is a profound meditation on the nature of identity and the theological problem of evil. Entertainment and such weighty themes make strange bedfellows indeed, but here it is as if they tear off the sheets and indulge in a 100-page pillow fight so much fun is had by their combination. Chesterton acts as a winking master of revels throughout, orchestrating the chaos in his inimitable style while scattering bon mots and charming comparisons with abandon. One of my personal all time favourites, 'the wild joy of being Thursday' is an experience I will return to again and again.

On Thursday...

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For a book that's as short as this one, "The Man Who Was Thursday" is pretty packed. G.K. Chesterton's classic novella tackles anarchy, social order, God, peace, war, religion, human nature, and a few dozen other weight concepts. And somehow he manages to mash it all together into a delightful satire, full of tongue-in-cheek commentary that is still relevant today. As the book opens, Gabriel Symes is debating with a soapbox anarchist. The two men impress each other enough that the anarchist introduces Symes to a seven-man council of anarchists, all named after days of the week. In short order, they elect Symes their newest member -- Thursday. But they don't know that he's also been recruited by an anti-anarchy organization. And soon Symes finds out that he's not the only person on the council who is not what he seems. There are other spies and double-agents, working for the same cause. But who -- and what -- is the jovial, powerful Mr. Sunday, the head of the organization? Hot air balloons, elaborate disguises, duels and police chases -- Chesterton certainly knew how to keep this novel interesting. Though written almost a century ago, "The Man Who Was Thursday" still feels very fresh. That's partly because of Chesterton's cheery writing... and partly because it's such an intelligent book. He doesn't avoid some timeless topics that make some people squirm. Humanity (good and bad), anarchy, religion and its place in human nature, and creation versus destruction all get tackled here -- disguised as a comic police investigation. And unlike most satires, it isn't dated; the topics are reflections of humanity and religion, so they're as relevant now as they were in 1908. But the story isn't pedantic or boring; Chesterton keeps things lively by having his characters act like real people, rather than mouthpieces. From Symes to the Colonel to the mysterious Sunday himself, they all have a sort of friendly, energetic quality. "We're all spies! Come and have a drink!" one of the characters announces cheerfully near the end. And of course, once the madcap police investigations are finished, there's still a mystery. Who is Sunday? What are his goals? And for that matter, WHAT is Sunday -- genius, force of nature, villain or god? The answer is a bit of a surprise, and as a reflection of Chesterton's beliefs, it's a delicate, intelligent piece of work. "The Man Who Was Thursday" is a wacky little satire that will both amuse and educate you. Not bad for a book often subtitled "A Nightmare."

You won't put it down!

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In this short text, Chesterton shows himself to be a master of a wide variety of styles - the genres of thriller, humour, fantasy, horror and philosophy are only some of those employed by him in this captivating tale. The scholarly introduction illuminates the reader's understanding, whilst also giving details of the contemporary reaction to the text and Chesterton's understanding of it. Although a very different kind of story, this is no less entertaining and thought-provoking than Chesterton's Father Brown stories, and is guaranteed to keep you guessing in just the same way!

Edwardian London through a multi-coloured lens!

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Renowned for his Father Brown stories, GK Chesterton has created a small but perfectly formed classic nightmare-novel.Strange colours and landscapes form around a group of anarchists named after days of the week. The dreamlike quality is enriched by the familiar but almost otherwordly locations,london streets and parks, a winter's night by the Thames, frantic chases accross Northern France and the strange energy of the characters. At once a realistic fairy tale or a fantastical account of a dream this short story is one to enjoy and immerse yourself in.